Product Category: Audio Equipment Hire

  • Intercom Interface (Combo Intercom / Audio)

    Our Intercom Audio Interfaces strips DC voltage from a single channel of Clear-com(tm) brand intercom & outputs it as balanced line level audio

    Combo model includes audio input & output level controls). With the audio input you can add audio to the com line from anywhere on the party line.

    Output only model has only fixed XLR line level output

    Both feature loopthrough XLR jack so they can go anywhere on the party line beltpack. No batteries or AC power needed

    Designed for Clear-com(tm) intercoms only

  • Turbosound NuQ118B-AN 3,000 Watt Subwoofer

    3000 Watt 18″ Band Pass Subwoofer with Klark Teknik DSP Technology and ULTRANET Networking

    The 3,000 Watt NuQ118B-AN is a powered 18″ dual ported bandpass enclosure that is optimally tuned for extended low frequency response. Designed to work individually without a controller, the NuQ118BAN provides very high output FOH performance and is ideally suited for a wide range of music and live sound reinforcement applications.

  • Turbosound NuQ115B-AN Subwoofer

    The 3,000 Watt NuQ115B-AN is a powered 15″ subwoofer system that is ideally suited for a wide range of music and live sound reinforcement applications. Designed to work individually without a controller, the the NuQ115B-AN provides optimal FOH performance, as well as exceptional drum and side fill monitoring applications.

  • Allen & Heath ZED-6 Compact 6-Input Analogue Mixer

    The ZED-6 is a 6 input analogue mixer that has been created for musicians, singer / songwriters and venues seeking Allen & Heath’s renowned build and audio quality in a compact, portable format.

    Whether it’s bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey.

  • Turbosound NuQ122-AN Loudspeaker

    The 2 way full range NuQ122 is a switchable passive/bi-amp 1,600 Watt 12″ loudspeaker system ideally suited for a wide range of speech and music sound reinforcement applications. Engineered to work in conjunction with TURBOSOUND loudspeaker management systems, the NuQ122 provides optimal performance for FOH, sidefill and delay line loudspeakers, and is an exceptional choice for wedge monitoring applications. The symmetrical trapezoidal shape and high frequency dispersion pattern also make the NuQ122 an obvious choice for mirrored left/right monitor wedge placement.

  • Radial JDI Passive DI box

    Radial JDI Features:

    Welded I-beam construction makes it impossible to torque the PC board. This virtually eliminates cold solder joints – the No.1 cause of system failure in the field.
    An innovative ‘slide-in-place’ XLR trace makes it possible to use I-Beam girder construction.
    Jensen transformer for distortion-free performance.
    A military-grade PC board is employed for maximum wear and tear in abusive environments. Welded steel standoffs ensure the PC board will not shift.
    A -15dB pad allows super hot inputs such as that from a CD player to be connected and balanced for long runs.
    The Merge function turns the input and thru into a passive mixer to sum stereo feeds to mono at the XLR output. This saves valuable inputs on the mixer!
    The input connects to the instrument.
    The thru-put is connected to the instrument amplifier. The JDI has a high input impedance to reduce loading.
    Book-end design creates a protective zone around the switches & connectors for best protection!
    A heavy-duty baked enamel finish for excellent durability and great looks for years! 100% 14-gauge steel construction.
    The XLR balanced mic level output provides 100% isolation for runs to 1000 feet without appreciable noise.
    A polarity reverse switch flips the polarity from the AES standard Pin-2 to Pin-3 on the XLR and is used when combining sounds that may be out of phase.
    The ground-lift disconnects the ground path to the transformer at the XLR output. This is used when a ground path is made at the input side such as with a keyboard.
    The parallel speaker interface option introduces a second -30dB pad with band-pass filter to emulate a 12″ guitar speaker.
    A no-slip full bottom pad reduces mechanical vibration, improves electrical isolation and keeps the JDI from moving around on busy stages!

  • Sennheiser EM100 G3 True Diversity Receiver

    With its improved design and new features, this rugged G3 rack receiver is ready for the road with its proven transmission reliability and inspiring flexibility. The sound check mode allows you to check the audio and RF signal at any time during setup. 20 frequency banks with 12 preset frequencies each, plus a user-programmable bank mean you can easily run multiple channels of G3 wireless simultaneously.

  • Sennheiser SK 100 G3 belt pack / bodypack transmitter

    The wireless body-pack standard gets even better. Sennheiser has packed many useful features in the 158g weight of the SK 100 G3. The SK 100 G3 has an easy-to-read graphic display, infrared sync, charging contacts, cable emulation, RF mute, an intuitive menu and much more. As features alone are no substitute for audio quality, the AF frequency response was expanded to 25-18,000 Hz for the truest sound.

  • Sennheiser XS Wireless 1 Vocal Microphone Set XSW 1-835 – A

    Raise your voice. Go forSennheiser XSW 1 835 Wireless Vocal Set and rely on a solid wireless transmission with up to 10 compatible channels in a stable UHF band. The XS WIRELESS 1 VOCAL SET is an easy to use all-in-one wireless system for singers and presenters, excellent for live sound featuring Sennheiser’s renowned evolution microphone capsules, e825 (dynamic, cardioid) or e835 (superior dynamic, cardioid) to get started. The set includes an intuitive stationary receiver for quick setup and hassle-free handling, as well as a vocal microphone and microphone clamp.